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COLOUR, TEXTURE & LIGHT
Start with the surface you love. Explore its colours, compare the applications and let ISF help you make it yours.
01 · Silk & textile
Silken reflection, suede softness and woven movement. Compare the character, then explore the full colour reference.
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Satin, in another light.
VALPAINT originals
Original catalogue pages Enlarge these pages
Softly trowelled movement gives satin colour its depth. Explore the original pages, then look more closely at the silver and gold-based colours.
Colours & finishes to explore
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The quiet character of fabric.
VALPAINT originals
Original catalogue pages Enlarge these pages
Suede, Shantung and Linen effects bring different rhythms to the same idea of softness. Read the texture beside the room, not the shade alone.
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Silken colour. A personal gesture.
VALPAINT originals
Original catalogue pages Enlarge these pages
The application leaves its own signature in the surface. Discover the decorative treatments in the original edition and explore the colour that brings them to life.
Colours & finishes to explore
02 · Sand & shimmer
Fine texture and changing reflections. From quiet mineral shimmer to the wave-like movement of Mavericks.
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A gentler play of light.
VALPAINT originals
Original catalogue pages Enlarge these pages
Fine grain and brushed movement catch the light quietly. Explore the original catalogue, then compare the surface across its colours.
Colours & finishes to explore
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Light, in motion.
VALPAINT originals
Original catalogue pages Enlarge these pages
Iridescent colour gives the wall a restless beauty. Move between the room, the original pages and individual colours to see its expressive range.
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The grain makes the difference.
VALPAINT originals
Original catalogue pages Enlarge these pages
Sand texture is the starting point. The Lux and Matt treatments give it different expressions: explore the application and reflection as carefully as the colour.
Colours & finishes to explore
03 · Concrete & plaster
Architectural concrete and decorative plaster, shaped by grain, direction and the marks of the tool.
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Concrete, with character.
VALPAINT originals
Original catalogue pages Enlarge these pages
From quiet architectural planes to strongly worked texture, the application changes the reading of the wall. Explore the different concrete effects in the original edition.
Explore the colours and applications in the original catalogue.
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The art of the understated wall.
VALPAINT originals
Original catalogue pages Enlarge these pages
Plaster character, explored through four applications. Look at the grain, the marks and the way light moves over each treatment before choosing your colour.
04 · Marble effects
Layered colour and directional veining give Marmorizzato its depth. Compare the original arrangements before choosing a reference.
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Follow the vein.
VALPAINT originals
Original catalogue pages Enlarge these pages
Layered marble effects give the surface direction and depth. Explore the original arrangements, then open a reference to study its colour and movement.
05 · Metallic surfaces
Rich metallic movement, softer reflections and worked pearlescence. Compare Klondike, Klondike Light and Meteore 8 in their original editions.
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Metallic colour, softly weathered.
VALPAINT originals
Original catalogue pages Enlarge these pages
Broken reflection and tonal variation give Klondike its recognisable character. The original pages place the finish beside its colours and decorative treatments.
Colours & finishes to explore
Explore colours & plan online
A lighter touch of metal.
VALPAINT originals
Original catalogue pages Enlarge these pages
A softer metallic expression, shaped by the application. Compare the original, gold and silver treatments in the catalogue, then look closely at an individual colour.
Colours & finishes to explore
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Texture beneath the reflection.
VALPAINT originals
Original catalogue pages Enlarge these pages
Pearlescent colour moves across a worked surface. Explore the V55 Matt and V88 Satiné edition, its applications and its original colour references.
06 · Weathered metals
The warm character of Corten and the oxidised depth of Ferro. Two distinct finishes, each with its own effects and application system.
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Warmth with an edge.
VALPAINT originals
Original catalogue pages Enlarge these pages
Rust-like colour brings warmth and a weathered presence. Explore the original Corten pages, then compare the individual colours for the character you want.
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Oxidised. Expressive. Unmistakable.
VALPAINT originals
Original catalogue pages Enlarge these pages
Oxidised, Copper Oxide and Oxidised Galvanised each tell a different story. Open an effect to see its original catalogue detail and application route together.
Colours & finishes to explore
Specialist finishes · By enquiry
For Venetian plaster, microcement and specialist metal or textile effects, talk through the finish and supply with ISF before ordering.
THE COLLECTION, TO KEEP
Keep the original catalogues beside your fabrics, flooring and plans. Choose one finish, or bring several editions together as your project takes shape.
Buy printed cataloguesPrinted catalogues and applied samples are different things. A sample lets you judge the finish in your own light.
Italian finishes, with ISF
A finish is more than a colour. ISF helps you consider its texture, your light and the way you want the room to feel. Explore an applied sample, plan the matching materials or talk through professional application. Materials delivered across the UK.
Bring your plans, photographs and material ideas. Look at the finishes together with ISF, then decide how to take your project forward.
Explore the London StudioDigital colours are a starting point. An applied sample lets you judge the colour, texture and sheen in your own light.
A printed catalogue from ISF.
£12.43
Opening the catalogue details and current purchase options…
02 · The character
Oxidised, Copper Oxide and Oxidised Galvanised start differently. Their application and reaction create the final character.
03 · From material to wall
Preparation, application and the selected materials belong to one finish. Review the complete cycle before beginning the work.
The ground and metal layers depend on the selected finish.
Follow the effect-specific sequence and allow the documented development time.
The protection stage uses two coats and belongs to the full system.
04 · Before you begin
This is an interior decorative system. Allow at least 1–2 days for development as directed, then complete the two-coat Finish V16 protection stage. A bathroom photograph does not establish suitability for wet zones.
Read the complete manufacturer catalogue →Apply Primer 1200 to a sound, clean and repaired surface; allow 4 hours at 20°C. Brush on one covering coat of Ferro with crossed strokes, reworking while wet with an unloaded brush. Allow 8 hours. Dab Oxidising Solution with PV32 in patches, then fill the remaining spaces. Add a second coat after 3 hours. Further coats depend on the intended oxidation. After the development period described in the catalogue, apply two coats of Finish V16, 2 hours apart. Trial the complete cycle on a small area and follow the full manufacturer instructions.
Apply Primer 1200 and allow 4 hours at 20°C. Brush Ferro in short strokes in every direction, reworking with an unloaded brush. After 10 minutes, dab L50 Col. 309 Copper with the compact side of PV32. After 8 hours, dab Oxidising Solution in patches and then into the remaining spaces. Add a second coat after 3 hours. After the development period described in the catalogue, apply two coats of Finish V16, 2 hours apart. Trial the complete cycle and follow the manufacturer’s timing for the developed appearance.
Apply Primer 1200 and allow 4 hours at 20°C. Brush one covering coat of L50 Col. 301 Aluminium vertically; allow about 4 hours. Brush Ferro into jagged vertical strips of different lengths and allow 8 hours. Apply Oxidising Solution vertically over the whole surface, adding a second coat after 3 hours; a third coat is optional. After the development period described in the catalogue, apply two vertical coats of Finish V16, 2 hours apart. Trial the complete cycle before beginning the wall.
The lower Ferro consumption in the Galvanised route describes its markings over the aluminium ground. It does not describe the consumption of the complete wall system.
Remove unstable or chalking coatings and impurities, wash appropriately and repair where necessary. Apply a covering coat of Primer 1200. It is the only component diluted here: 15–20% with water. Continue after 4 hours at 20°C. Apply above +10°C and below +30°C. The finish is satin. Clean tools with water and soap; store tightly closed above +5°C and below +30°C. Ferro is an interior decorative system. A bathroom illustration is not evidence of waterproofing or suitability for floors, shower areas or permanently wet surfaces. Discuss the actual exposure with ISF.
The manufacturer warns that shade and effect can vary considerably from the catalogue and between batches. Test a complete cycle on a small area. At a batch change, finish at a corner, then mix remaining and new material together before continuing. The English application and technical text in the supplied manufacturer catalogue is the source for these notes. Follow the product and safety information supplied with the material.
The same finish changes with light, application and the surrounding colours. Use a physical sample and a trial area to confirm the intended result.
See sample options →Visit the London Studio →
01 / Quiet depth
Light traces the hand-worked relief. Begin with the application, then find the colour that belongs in your room.
Explore the material ↗
02 / Moving light
An expressive, light-catching finish with wave-like movement across the wall. Explore the original references before choosing your colour.
Explore the material ↗
03 / Weathered character
Broken colour and oxidation create an irregular surface. Keep the complete effect together when specifying.
Explore the material ↗Original VALPAINT room photographs. Colour and application are chosen separately; these are not exact room-colour matches.
A documented material study
The original catalogue identifies this room as Argento 700 + 539 E. Beside it, the genuine specimen shows the fine crossed movement of trowelled silk. The room, close detail and reference each tell a different part of the story.
Screens cannot establish a physical colour match. Confirm colour, texture and sheen with an applied sample in your own light.
Measurement guide · illustrative dimensions
Measure the full wall, then deduct the areas you will not coat. Add your own dimensions to see a proportional drawing.
Enter your measurements and review the preparation, finish and whole packs together. Your wall area and the material supplied stay clearly separate.
Start a wall ↗ISF installation
Would you like ISF to apply it? Work through a separate installation estimate, with site details and project review.
Plan installation with ISF ↗IN THE CATALOGUES
The original pages, from first inspiration to the finer details. Find the finish that feels right for your room.
Bring the room, the reference and the questions. Sidorela and ISF connect the material with the practical decisions behind your wall. Explore the applied surfaces at the London Studio, by appointment.
Visit the London Studio ↗Meet ISF ↗
