
01 / Quiet depth
Meteore 10 Intonaco
Light traces the hand-worked relief. Begin with the application, then find the colour that belongs in your room.
Explore the material ↗ISF Academy · Level 1
Level 1 is your first step into Italian artistic textures – sandy Sabulador walls, sea-wave Mavericks and Arteco 7 patina – taught inside a working London studio so every finish you learn can be specified and installed on real UK projects.
Bay 1 · Sandy luminescent walls
Sabulador Lux & Matt are the classic sandy finishes most UK clients recognise from Italian references. In the Framework we treat them as systems, not effects: primer choice, brush movement and light direction are all agreed in advance so the wall looks deliberate, not random.
You’ll work over PRIMART 600 with the PV76 artistic brush, building open, continuous films and then organising dunes and ripples so the wall reads calm even when the light is moving.
In the UK we use Sabulador to replace faux finishes and outdated metallics with something more architectural – especially in corridors and hospitality spaces where light, depth and durability all matter.
Bay 2 · Sandy overlay veil
Sabulador Soft behaves like a thin, luminescent veil. Rather than being the main event, it is a way to soften harder textures and unify colour in one pass – over concrete bodies, smooth plasters or existing decorative systems.
In the Framework we use Soft as a bridge finish: a way to connect plain painted surfaces, microcement-style bodies and feature walls into one reading without having to re-design every surface from scratch.
For the UK market, ISF positions Sabulador Soft between simple painted walls and full decorative schemes – ideal for homes and hospitality spaces that want a more “Italian” atmosphere without turning every wall into a feature.
Bay 3 · Two-colour wave system
Mavericks is a two-colour sea-wave system built over Nautilus with PV102 / PV103 brushes. The aim is not a wild effect – it’s a single wall with direction, rhythm and a scale that makes sense for the room.
You’ll work on larger bays so you can feel how the wave changes as you cross corners and interact with lighting, furniture and joinery – exactly the questions that come up on real projects.
In the UK we nearly always run Mavericks on a single elevation – entrance walls, stair cores, restaurant backdrops – with neighbouring walls in quieter families. Level 1 shows how to design that composition, not just copy a pattern from a brochure.
Bay 4 · Patina & heritage glaze
Arteco 7 is a patina system: translucent glazes over prepared bases to create time-worn depth and quiet tonal movement. Depending on how you work it, the reading can sit close to limewash or move towards stronger antique surfaces.
The focus in Level 1 is on Classic and Metallic Classic logics – how they interact with UK light, skirtings, handrails and doors so the patina feels architectural rather than theatrical.
For the UK we place Arteco 7 in heritage-sensitive and boutique projects – stairwells, entrance halls, hotels – where patina has to sit comfortably next to fire doors, lighting and services. Level 1 gives you samples and language that make those conversations easier.
Teaching structure
The course is built like a small project: framework and language first, then systems in motion, then how to take them out of the studio and into UK work with support.
Session 1
We start with the ISF Framework: where artistic textures sit next to concrete, metallic and waterproof bodies. You’ll map sandy, wave and patina families against typical UK rooms, substrates and lighting so every decision during training is grounded in real situations.
Day 1
Day 1 focuses on Sabulador Lux & Matt and Sabulador Soft. You’ll build primed bases, then work on larger panels to understand how sandy luminescence behaves under different light angles. The afternoon moves into Soft as an overlay over other systems.
Day 2
Day 2 covers Mavericks and Arteco 7. You’ll run full-height waves and patina glazes, then finish with composition work – how to place those textures in rooms, and how they interact with concrete, metal and other finishes from the Framework.
No – Level 1 assumes you are new to Sabulador, Mavericks and Arteco 7. You should already be comfortable working on site as a decorator, plasterer or similar; from there we build the systems step by step.
Yes, subject to normal account checks and project support. ISF operates on an education-before-distribution basis, so Level 1 helps make sure product supply is backed by methods, not just a colour card.
If you already run Sabulador, Mavericks or Arteco 7 to a high standard on live jobs, we may suggest starting at a different Level or tailoring the day. If you are unsure, send us photos of your work and we will advise.
Level 1 runs in the Italian Surface Finishes studio in London, surrounded by full-scale walls and catalogue boards so you can see exactly how the systems are presented to designers and clients in the UK.
Level 1 is designed as the normal starting point. In some cases, we can fast-track you and treat Level 1 as an assessment rather than a full training requirement – but only where there is clear evidence that the foundations are already in place.
You can request fast-track if at least one of the following applies:
Fast-track is not automatic. The Academy team will review your application, training background and project evidence. In some cases we may still recommend attending Level 1 in full, or suggest a shorter, tailored session instead of skipping it completely.
Whether you want the full Level 1 experience or feel ready for a fast-track assessment, share a few lines about your current work and training. We’ll respond with honest guidance, not a sales script.
Use this form for both standard applications and fast-track requests. We’ll reply with upcoming dates, pricing and whether Level 1 should be taken in full or treated as an assessment.

01 / Quiet depth
Light traces the hand-worked relief. Begin with the application, then find the colour that belongs in your room.
Explore the material ↗
02 / Moving light
An expressive, light-catching finish with wave-like movement across the wall. Explore the original references before choosing your colour.
Explore the material ↗
03 / Weathered character
Broken colour and oxidation create an irregular surface. Keep the complete effect together when specifying.
Explore the material ↗Original VALPAINT room photographs. Colour and application are chosen separately; these are not exact room-colour matches.

A documented material study
The original catalogue identifies this room as Argento 700 + 539 E. Beside it, the genuine specimen shows the fine crossed movement of trowelled silk. The room, close detail and reference each tell a different part of the story.

Screens cannot establish a physical colour match. Confirm colour, texture and sheen with an applied sample in your own light.

Measurement guide · illustrative dimensions
Measure the full wall, then deduct the areas you will not coat. Add your own dimensions to see a proportional drawing.
Enter your measurements and review the preparation, finish and whole packs together. Your wall area and the material supplied stay clearly separate.
Start a wall ↗ISF installation
Would you like ISF to apply it? Work through a separate installation estimate, with site details and project review.
Plan installation with ISF ↗IN THE CATALOGUES
The original pages, from first inspiration to the finer details. Find the finish that feels right for your room.

Bring the room, the reference and the questions. Sidorela and ISF connect the material with the practical decisions behind your wall. Explore the applied surfaces at the London Studio, by appointment.
Visit the London Studio ↗Meet ISF ↗